prologue

Chapter 10 - The Table We Build

The summer of the following year was hot and dry, turning the hayfields the color of old twine.

Grandma Margaret’s eighty-fourth birthday fell on the third Saturday in July. By common consensus, the gathering was not held at a country club, nor at the big house in the hills that Vanessa still occupied. It was held in the overgrown apple orchard behind Grandma Margaret’s cottage in North Adams.

Uncle Robert had spent two days setting up saw-horses and laying long planks of white pine across them to create one continuous, thirty-foot table under the shade of the old McIntosh trees. There were no white calla lilies. There was no color-coded seating chart. There were mason jars stuffed with black-eyed Susans, bowls of potato salad sweating over bowls of crushed ice, and the smell of charcoal smoke from the twin Weber grills where Marcus and Leo were arguing over the proper way to flip a ribeye.

I arrived at one o'clock, carrying two wooden crates of peach pies I had baked with Grandma’s recipe—the one with the lard crust that Patricia always claimed was a cardiovascular hazard.

"Clara!" Leo yelled from the grill, waving a pair of greasy tongs. "Tell your cousin that charcoal needs air! He’s suffocating the meat!"

"He’s not suffocating it, he’s smoking it, you barbarian!" Marcus yelled back, ducking as Leo flicked a drop of barbecue sauce at his apron.

I laughed, setting the crates down on the end of the long pine table.

The table was covered in mismatched tablecloths—some gingham, some floral linen, some plain white cotton with hemstitched borders. There were twenty chairs scattered along its length: painted kitchen chairs, folding wooden chairs, an old wicker rocker at the head for Margaret, and two iron garden benches.

It was chaotic, loud, and entirely uncurated. It was a family.

At two o'clock, a blue Volvo wagon pulled slowly into the gravel drive beside the barn.

The laughter near the grill didn't stop, but the pitch changed. The twins lowered their tongs. Aunt Patricia, who was pouring lemonade from a glass pitcher, paused, her eyes darting toward the drive.

The car door opened.

Julian got out first. He had gained a little weight back; his face was tan, his shoulders relaxed in a linen shirt that wasn't tucked in. He walked around to the passenger side and opened the door.

Vanessa stepped out.

She was wearing a simple navy blue cotton sundress. Her hair wasn't pinned with pearl wire; it was gathered into a loose knot at the base of her neck with an ordinary tortoiseshell clip. She wore flat leather sandals and no jewelry except her wedding band—the five-carat diamond had been replaced with a simple gold hoop.

She stood by the car door for a moment, her hands clasped in front of her waist, looking across the orchard at the thirty-foot table, at the smoke drifting into the green leaves, at the family that had scattered fourteen months ago.

Uncle Robert set down his beer. He looked at his mother.

Grandma Margaret was sitting in her wicker rocker, her cane resting across her knees, a linen sunhat shading her face. She didn't stand up. She didn't wave. But she lifted one finger from the handle of her cane and pointed toward the table.

Julian took Vanessa’s elbow, but she shook her head gently. She stepped onto the grass alone.

Her walk was different. The imperious, runway glide that had cleared the aisles at Greystone Manor was gone; she walked with her shoulders dropped, her head tilted slightly downward, watching her feet as they moved through the clover and fallen green apples.

She reached the edge of the shade beneath the McIntosh trees.

"Hello, Patricia," she said. Her voice was quiet, stripped of the old lacquer, rough at the margins.

Patricia looked at her for three seconds—three long seconds where the only sound was the crackle of fat dropping onto charcoal.

"There's lemonade in the cooler, Vanessa," Patricia said, her voice neutral, neither warm nor cold, but an opening nonetheless. "The glasses are in the basket."

Vanessa swallowed. "Thank you."

She didn't move toward the lemonade. She looked down the length of the saw-horse table until her eyes found mine.

I was standing by the peach pies, an apron tied over my linen trousers, a smudge of flour still on the side of my wrist.

Vanessa walked down the row of chairs. Every step looked heavy, as if the grass were made of deep mud, but she didn't look away. When she reached the saw-horse across from me, she stopped.

Between us was a bowl of salt, a plate of sliced tomatoes, and a mason jar filled with yellow wildflowers.

She reached into the pocket of her sundress. She pulled out a small, rectangular piece of cardstock. It was yellowed at the edges, the corners bent from having been carried in a wallet or a pocketbook for four hundred days.

She set it down on the pine plank.

It was my place card from Greystone Manor: *Clara Vance.*

Beneath my name, in the neat, heavy hand she had learned at Miss Porter’s School twenty years ago, she had written three words in blue ballpoint ink:

*My sister. Always.*

"I took your chair," Vanessa whispered. Her eyes were swimming with tears, but she didn't look down. She didn't make the theatrical show of grief she had made in the conservatory. She stood there in the dust and the sun, letting the humiliation of her confession be witnessed by the people she had spent twenty years trying to rule. "I took it because I was small. And because I was cruel. And because I thought if I made you nothing, my mother wouldn't be dead anymore."

The orchard was entirely silent now. Even Marcus had turned away from the grill.

"I don't expect you to forgive me today," Vanessa said, her chin trembling, her knuckles resting against the rough pine plank. "I don't expect you to invite me to your house. But Julian and I brought our own chairs in the back of the car. And if... if you will allow it, Clara, I would like to sit at the end of the wood."

I looked at the card on the pine table. I looked at the handwriting—the ink pressed so deeply into the cotton paper that it had raised ridges on the back.

I looked up at her face. I saw the gray hair appearing at her temples—the same gray hair our father had gotten when he was thirty-six. I saw the lines around her mouth that were no longer lines of contempt, but lines of long, solitary reckoning.

I didn't reach for the card.

Instead, I reached across the saw-horse table and picked up an empty folding chair that Marcus had dragged over from the garage—a plain, wooden thing with green peeling paint and one leg that was a half-inch shorter than the others.

I carried it around the table.

I set it down directly beside mine, between my place setting and Grandma Margaret’s wicker rocker.

"The ground is uneven over here, Vanessa," I said, my voice clear in the warm afternoon air. "You'll have to put a piece of cardboard under the left leg so it doesn't wobble."

Vanessa looked at the chair.

She looked at the thirty-inch gap between my seat and our grandmother’s knees.

Then she looked at me, her face breaking—not into the jagged, bitter shards of Greystone Manor, but into the soft, bewildered wonder of a child who has been found in the woods after the searchers had almost given up.

"I can do that," she whispered, her voice breaking on the *can*. "I can fix the leg."

Grandma Margaret shifted in her rocker, the wicker creaking with a comfortable, dry sound like kindling catching flame.

"Well," the old woman said, tapping her cane once against the dirt. "Don't just stand there letting the flies settle on the beef, Vanessa. Sit down. Clara made peach pie, and your father always said you were too thin in the ribs."

Vanessa pulled out the green folding chair.

The wooden legs scraped across the clover and the dry dirt—a dull, soft, earthy sound that didn't stop the music, because there was no orchestra here to interrupt. There was only the wind in the apple leaves, the sizzle of the fire, and the family that had finally, after thirty years of sorrow, built a table wide enough for everyone.

She sat down.

Her shoulder brushed mine—warm silk against cotton. She didn't pull away. And when Aunt Patricia passed the heavy bowl of potatoes down the pine planks, Vanessa took it with both hands, held it for a second to steady the weight, and handed it to me.

"For you, Clara," she said.

May you like

"Thank you, Nessie," I said.

And this time, she smiled.

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