prologue

Chapter 1 - The Sugar Flowers

The dining room smelled of spun vanilla, roasted rosemary, and the sharp, coppery tang of fresh blood.

Until the moment the candle flames guttered in the draft of my wife’s sudden movement, the evening had possessed the fragile, golden hue of an autumn postcard. My mother, Eleanor, sat at the head of our mahogany dining table, her small, bird-boned frame wrapped in a soft periwinkle cardigan that had seen twenty winters and smelled faintly of lavender sachet and cedar shavings. She was seventy-three years old that night. Seventy-three years of quiet sacrifices, of mending split seams by the light of a goose-neck lamp, of scraping together the coins to pay for my architecture textbooks after my father’s heart had given out on the factory floor two decades earlier.

She had asked for so little.

"Desmond, darling," she had murmured over the telephone the week prior, her voice reedy and thin against the receiver, "don't let Priscilla fuss. A pot of chamomile, perhaps a slice of yellow cake with simple butter frosting. If the cousins want to drop by, let them come as they are. At my age, having everyone under one roof is the only thing worth wrapping in paper."

Priscilla had overheard. She had leaned across our polished granite kitchen island, slicing an apple with a heavy German chef's knife, the steel clicking rhythmic and hard against the cutting board. Her eyes—a pale, translucent hazel that usually struck people as either disarmingly frank or curiously flat—had narrowed with a brief, flicker-fast glint before smoothing into a smile of absolute, practiced warmth.

"Nonsense, Mother Avery," Priscilla had announced, raising her voice so the kitchen speaker would carry it through the line. "A woman doesn't turn seventy-three every day. If Desmond won’t let me celebrate you properly, I'll never forgive myself. You leave the cake to me."

For two days, Priscilla had turned our kitchen into an operating theater.

She was not a baker by trade—her domain was boutique residential staging, where she made four-thousand-square-foot spec homes look lived-in by ghosts who never dropped crumbs or left scuff marks on baseboards. Yet she had approached that three-tiered confection with an eerie, white-knuckled zeal. She had boiled sugar syrup until the air in our hallway cloyed with the scent of burnt caramel; she had whipped egg whites into stiff, pearlescent peaks; she had hand-piped hundreds of tiny, brittle sugar blossoms, each the shade of bruised rose petals.

I had come into the kitchen late on Thursday night, finding her bent over the turntable in her silk robe, her blonde hair pinned back with a tortoiseshell clip, her breath coming in slow, measured drags. Around her lay boxes of florist’s wire, heavy royal icing paste, and bundles of flat-headed, double-pointed wooden toothpicks, their ends stripped and whittled down to needle-fine splinters.

"Since when did you become a master patissier?" I had asked, sliding an arm around her waist, trying to bridge the unspoken chill that had been settling between our pillows for the last six months.

She hadn't leaned into my touch. She had remained rigid, her right hand holding an offset spatula with the steady, white-knuckled grip of an embalmer.

"Since I decided that your mother deserves something unforgettable," she had said, her voice dropping into that melodic, purring register she reserved for wealthy clients and sudden, sharp turns in an argument. "A milestone needs a mark, Desmond. Otherwise, the years just dissolve, don't they? One blurring into the next until you can't tell who's holding the leash."

I hadn't understood the cruelty nestled inside the metaphor then. I had simply kissed the cool nape of her neck, inhaled her expensive gardenia perfume, and assumed it was stress from her staging firm’s tax filings.

Now, thirty-six hours later, twelve members of our extended family stood encircled around the dining table, their hands clapping in ragged syncopation as the final strains of "Happy Birthday" died against the wainscoting. My cousins Sarah and Julian were grinning; Aunt Beatrice was dabbing a damp corner of her napkin against her rheumy eyes; two of Julian’s children were already leaning forward on their tiptoes, their gazes glued to the pale pink frosting that cascaded like architectural stucco over the three heavy tiers.

"Make a wish, Eleanor," Beatrice called out. "Make it a selfish one, for once in your life!"

My mother smiled. It was a timid, fluttering expression that revealed the faint crowding of her bottom teeth. She leaned forward, resting her liver-spotted palms against the edge of the linen runner to support her spine. Her white-silver curls dipped toward the seventy-three tiny wax flames flickering atop the sugar blossoms. Her eyes closed.

Behind her, Priscilla moved.

It was not a playful jostle. It was not the clumsy, drunken nudge of an over-enthusiastic host. Priscilla set her feet squarely on the parquet floor, her shoulders dropping to throw the entirety of her core weight behind her right arm. Her palm, broad and flat, struck the occipital curve of my mother's skull with the dry, percussive crack of a birch branch snapping underfoot.

*SHOVE.*

My mother’s face plunged violently through the crown of the top tier, drove downward through the dense pound cake of the middle layer, and slammed against the heavy ceramic cake stand with an audible *thud*.

The crash of shattered porcelain and the wet, heavy smack of frosting against wood echoed in the paralyzed room. The pink sugar flowers exploded into shards. The silver candles snapped, their hot wicks hissing as they extinguished against the collapsed sponge.

For one suspended, impossible second, the room went dead. No one breathed. Julian’s son let out a tiny, stifled squeak.

Then the laughter tore through the silence.

It came from Priscilla’s throat—bright, theatrical, climbing into a shrieking crescendo that bounced off the crown moldings. She tossed her head back, clapping her hands against her thighs, her face flushed with an incandescent, terrifying amusement.

"Oh, come on!" she cried, wiping a tear of mirth from the corner of her eye, looking around at the frozen faces of my aunts and cousins. "Look at her! Oh, Julian, look at your aunt! It’s a tradition! You people are like statues at a funeral—can’t anyone in this family take a damn joke?"

"Priscilla..." I began, my voice thick and unfamiliar in my own ears, my feet suddenly glued to the rug.

"Don't be such an old maid, Desmond!" she barked playfully, waving a dismissive hand. "It's the Mexican tradition! The *mordida*! You push their face in the cake! It’s funny!"

My mother did not come up laughing.

She did not come up sputtering with playful indignance.

She rose slowly, her spine hitching in spastic, breathless jerks, her hands clawing blindly at her cheeks. The pale pink buttercream clung to her eyebrows, her nose, her mouth, turning her face into an obscene, melting mask. But it was not the frosting that caused the air to leave my lungs.

From beneath the thick pink paste covering her right cheek, something dark and crimson began to well. It leaked from the crease behind her right ear, bright and arterial, cutting an instant, jagged river through the sugar.

"Desmond..."

The sound she made was barely louder than the scrape of a dry leaf across concrete. It wasn't a cry of anger; it was the bewildered, whimpering terror of a child struck from behind in the dark.

"Desmond... it's inside. It's inside my head."

Her right hand, trembling so violently the knuckles clicked, went to her ear. When she pulled her fingers away, they were slick, painted in a heavy wash of scarlet that dripped onto her periwinkle collar, soaking the wool into dark, stiff clots.

"Mom!"

I lunged forward, nearly overturning my chair, shoving Priscilla aside with a force that caused her to stumble against the sideboard. Silver dessert forks clattered to the floor. I caught Eleanor by the shoulders just as her knees buckled. Her skin was freezing, cold sweat already breaking through the grease of the butter-cream.

"Julian, get a towel! Now! A clean one from the linen press!" I roared, my hands shaking so badly I could scarcely steady her chin.

I looked down into the wreckage of the cake.

Rising out of the ruined sponge, stripped of its decorative sugar petals by the impact of my mother’s face, was a four-inch wooden dowel. And around it, arranged in a tight, defensive ring like medieval caltrops, were half a dozen wooden toothpicks.

One of them was snapped. Its splintered, jagged tip was stained dark red.

A sickening wave of nausea rolled over my belly. These were not soft, rounded cocktail sticks. They were structural picks—extra-long, kiln-dried bamboo skewers she had whittled down to dagger points to pin the heaviest sugar plaques into the dense cake. They were stiff enough to pierce hide.

"You knew," the words tore out of me, a low, guttural rasp as I turned to stare at the woman I had slept beside for seven years. "You knew they were inside."

Priscilla’s laughter died instantly. Her expression did not shift to horror, nor remorse, nor panic. It went blank—a terrifying, glassy neutrality that lasted for a quarter of a heartbeat before morphing into the defensive pout she used whenever a contractor arrived late.

"I had to secure the tiers, Desmond," she said, her voice rising in pitch, sharp and brassy. "The flowers were too heavy. I was going to remove them before we cut it! How was I supposed to know she’d lean so hard? It was an accident! I didn't think anything would happen!"

"You shoved her!" Julian yelled from the doorway, his face pale as chalk as he shoved a thick white bath towel into my hands. "You took her by the neck and rammed her face into it, Priscilla! We all saw you!"

"I tapped her!" she shrieked back, her hazel eyes flaring with an ugly, defensive venom. "It was a joke! She’s being dramatic! She always does this—she always turns everything into a scene so you’ll look at her instead of me!"

"Shut up," I said.

My voice was not loud, but it had the weight of an iron vault door closing. The room plunged back into silence. Julian’s wife was softly weeping; Beatrice was staring at Priscilla as though looking at a venomous snake that had crawled out from under the skirting board.

I pressed the thick terrycloth against my mother's ear. She let out a sharp, ragged gasp of agony, her fingers digging through the fabric of my jacket, clutching my biceps with surprising, desperate strength.

"Desmond," she choked out, her breath smelling of vanilla and blood. "Please... don't fight. It was an accident. Tell her it's all right... don't make a scene..."

"Stop talking, Mom. Keep pressure on it." I slipped an arm under her knees and the other behind her back, lifting her seventy-pound frame from the chair as though she were made of dry twigs. "Julian, stay here with the kids. Beatrice, clear the table. I'm taking her to County General."

Priscilla was already reaching for her designer purse on the hall table, her car keys jingling between her manicured fingers. "I'm coming with you. She needs to hear me apologize so she stops playing the victim—"

I turned on the threshold of our front door, my mother cradled against my chest, blood already soaking through my shirt cuff, staining the cufflink my wife had bought me for our fifth anniversary.

"If you get in my car," I told her, my voice dead and level, "I will leave you on the shoulder of the highway. Stay away from her. Stay away from me."

"I have a right to be there!" she screamed down the front walk as I kicked open the screen door. "I'm your wife, Desmond! You can't treat me like a criminal in my own house!"

I didn't answer. I laid my mother gently across the front passenger seat of my Volvo, tilted the seat back, and placed her bloodied hands firmly over the crimson-soaked towel. As I slammed the door and sprinted around the hood, I caught sight of Priscilla through the front bay window.

She wasn't crying. She wasn't holding her head in her hands.

May you like

She was standing over the ruined dining room table with a small dessert fork in her hand, calmly scraping a smudge of pink frosting off the mahogany veneer, her face completely empty.

***

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