prologue

Chapter 3 - Salt Water and Cheap Linoleum

Port Claire did not greet you; it simply endured you.

The bus dropped me at five o'clock in the morning at a corner that was not a station, but merely an overhang beside an abandoned grain silo. The air that hit me when I stepped down from the lowest stair was entirely different from the air of the college valley: it was dense, freezing, and tasted violently of brine, rusted iron, and rotting kelp. The fog was so thick that the tops of the three-story brick tenements across the street were swallowed whole, their lower windows glowing with dim, yellowish bulbs behind grease-filmed glass.

I carried my boxes into the vestibule of an all-night laundromat two doors down. The heat inside was overwhelming—a humid, soapy blast of air from twenty commercial dryers tumbling industrial work uniforms.

An old woman with skin like crumpled brown paper sat on a plastic folding chair, reading a pulp detective novel. She looked up at my boxes, my duffel bags, and the snow melting off the shoulders of my coat.

“Rooms to let,” I said, my teeth chattering so hard the words came out mangled. “Do you know anyone who has a room?”

She looked at me for a long time, her eyes traveling from my soaked boots up to my face. She did not ask where I had come from. In Port Claire, nobody asked where people came from at five in the morning; it was understood that if you were standing in a laundromat with your life in two cardboard boxes, the place you had left had burned down, run out of work, or closed its doors to you.

“Gable’s place,” she said, gesturing with the corner of her paperback toward the alley. “End of Commercial Street. Big green house with the porch falling off. Martha takes forty a week if you pay in advance and don't bring men up the stairs. Don't touch the boiler in the basement or she’ll take a broom to you.”

***

Martha Gable was seventy, had lost three sons to the North Atlantic ground-fishery, and smelled perpetually of menthol cigarettes and witch hazel.

She stood in the doorway of her boarding house at six-thirty, wearing a man’s flannel shirt over a faded nightgown, her grey hair tied in a ragged knot at the base of her skull. She looked at the two twenty-dollar bills I held out in my shaking palm.

“Room four,” she said, snatching the bills with fingers that were crooked and swollen from arthritis. “Third floor. Bathroom is at the end of the hall. You share it with the night-shift mechanic from the rail yard. He’s dirty, but he don't bother nobody if you don't use his soap. Hot water runs out by seven. Linen is on the bed; you wash it yourself down at the corner.”

She turned to go back into her front parlor, where a television was muttering to itself in the dark.

“Mrs. Gable?”

She stopped, looking back over her shoulder with an expression of profound irritation. “What?”

“Is there… is there a kitchen?”

“Hot plate on the dresser,” she said. “No frying fish. No deep oil. If you burn the place down, my nephew is an arson investigator for the county and he’ll see you in the women’s prison before the ashes are cold.”

The door to her parlor clicked shut.

Room four was eight feet wide and ten feet long. The walls were covered in an ancient wallpaper featuring faded yellow roses that had peeled away from the plaster in long, curling ribbons near the ceiling. The floor was covered in dark brown linoleum, worn down to the grey backing in front of the single window that looked out over a gravel lot and the grey, churning expanse of the outer harbor.

A single bed with an iron frame and a mattress that sagged deeply in the middle stood against the wall. A wooden dresser with three drawers—one of them missing its brass handle—sat beside a small, two-burner electric hot plate whose coils were encrusted with decades of boiled-over soup.

I carried my boxes up the three flights of stairs, one by one. By the time I carried the second duffel bag through the door, my vision was grey at the margins and my breath was whistling through my teeth. I dropped the bag, sat down on the edge of the mattress, and folded forward.

The room smelled of damp plaster, salt, and old cabbage.

It was mine.

I opened my wallet. Forty-seven dollars.

I had forty-seven dollars, six days until the next rent payment was due, and eight months before a baby would be born into this eight-by-ten box.

I lay down on the mattress without taking off my coat. The wool was damp and smelled of diesel exhaust from the bus, but beneath it, my body was shivering uncontrollably. I curled into a ball, pulled the thin, scratchy army blanket over my head, and pressed my hands against my lower stomach.

For the first time since Marcus had pulled his charger from the wall, I let myself feel the space inside me.

It was there. It was not an idea anymore; it was not a medical term on a clinic sheet or an argument between my parents in a gold-damask living room. It was a physical presence—a tiny, stubborn heat that existed independently of the freezing room, independently of the cold salt wind rattling the window sash, independently of the world that had discarded us both.

“I have you,” I whispered into the dark of the blanket. “I have you. We’re here.”

***

Finding work in Port Claire in December was like trying to extract grease from a dry stone.

The fish processing plants along the wharf had cut their shifts by half when the cod quotas dropped in November. The dry dock was operating with a skeleton crew of certified welders. The five-and-dime on Market Street had a cardboard sign taped to the glass: *No help wanted. Do not ask.*

For three days, I walked the length of Commercial Street and the lower harbor docks until my boots were soaked through with grey, slushy harbor brine. My feet were so numb that by noon I couldn't feel my toes; I walked with a stiff, clumsy gait, terrified of slipping on the black ice that formed along the granite curbs.

Everywhere I went, the answer was the same.

“We’re full up, miss.”

“Not hiring until spring.”

“You got family in the local union?”

At four o'clock on Thursday afternoon, with three dollars left in my coat pocket and the light already dying over the water, I pushed open the frosted glass door of *The Blue Anchor Diner*.

The Blue Anchor was long, narrow, and smelled gloriously of fried onions, coffee grounds, and toasted rye. A row of chrome stools with red vinyl cushions ran along a laminate counter; four wooden booths were tucked against the front windows, their tabletops scarred by cigarette burns and pocket knives.

Behind the counter, an older woman with a high, bleached-blonde beehive and a pencil tucked behind her ear was wiping down the milkshake machine with a rag that had seen better decades. A tall, thick-set man with white hair cut down to the scalp and an apron stained with beef gravy was scraping the flat-top grill with an iron spatula, the metal making a rhythmic *scrape-thump, scrape-thump* against the steel.

I stood by the door, dripping slush onto the rubber mat, my hands shoved deep into my pockets to hide their shaking.

The woman looked up. Her name tag, pinned crookedly to her faded pink uniform, read *Clara*.

“Booth or counter, hon?” she asked without pausing her wipe. “Coffee’s fresh. Clam chowder is five minutes out.”

“I’m not… I’m not here to eat,” I said.

The scraper stopped. The man at the grill didn't turn around, but his shoulders went still.

Clara sighed, her mouth settling into an expression that was not unkind, but thoroughly exhausted. “Hon, if you’re looking for the mission, it’s three blocks down on Dock Street. They serve soup at six.”

“I don't want soup,” I said, and my voice came out louder than I intended, startling a solitary fisherman who was hunched over a plate of hash in the far booth. “I want to work. I can wash dishes. I can prep onions. I can scrub the floors. I can work the night shift.”

The man at the grill turned around slowly.

He was sixty, perhaps sixty-five, with a face that looked as though it had been carved out of salt-pork and cured in hickory smoke. His eyebrows were thick and grey, shadowing a pair of small, pale blue eyes that looked through me with the terrifying efficiency of a butcher appraising a side of beef.

“You from the valley?” he asked. His voice was deep, gravelly, with the flat, clipped cadence of the Canadian maritimes.

“Yes,” I said.

“College girl?”

I hesitated. “I left.”

He looked down at my feet. “Them boots ain't going to last through Sunday. Soles are coming away from the welt.”

“They’ll last if I’m standing behind a sink,” I told him. I didn't drop my eyes. I couldn't afford to. If I dropped my eyes, I would have to look at the floor, and if I looked at the floor, I would see how close my knees were to buckling. “I don't drop things. I don't steal. And I show up twenty minutes before the shift starts.”

The man—Gus, according to the brass plaque above the order wheel—wiped his spatula on his apron and reached for a tin of toothpicks beside the register. He put one between his teeth, rolled it to the corner of his mouth, and looked at Clara.

Clara shook her head slightly. “Gus, we don't have the hours. Jimmy’s already complaining about the split shift.”

“Jimmy didn't show up yesterday until noon because he was drunk on Narragansett down at the pier,” Gus said. He looked back at me. “Three dollars an hour under the table. You work five to two, six days. You get one hot meal at the end of the shift—whatever’s left in the steam table that won't keep till tomorrow. You break a plate, it comes out of your pay. You miss a day, don't bother coming back for your coat.”

My breath caught in my throat. “I can start now.”

Gus gave a short, grunt-like sound that might have been amusement or disgust. “Clara, get her an apron. The potato sack in the walk-in needs peeling before the five-thirty rush. And someone get her a cup of coffee before she falls over and cracks my linoleum.”

Ten minutes later, I was standing in the back alcove beside a fifty-pound burlap sack of Idaho potatoes, an aluminum peeler in my hand, and an apron tied twice around my waist to keep it from dragging on the floor.

My fingers were raw from the cold, and the first three potatoes came out jagged and ugly, but as the steam from the dishwasher began to fill the small room, a deep, heavy warmth settled into my bones.

At eight o'clock, Clara came back with a thick white mug of black coffee and set it on the prep table.

“Drink it,” she said. “Gus don't like people fainting on the spuds.”

“Thank you,” I whispered.

She leaned against the edge of the sink, looking at me sideways. She reached out, her fingers touching the fabric of my sweater where it stretched over my stomach. The gesture was so quick, so instinctive, that I didn't have time to flinch.

“How many months?” she asked quietly.

I froze, the peeler hovering over a half-skinned potato.

“Don't look like that,” Clara said, rolling her eyes. “I’ve had three of my own, hon. You hold your hips like a woman whose balance is shifting, and you haven't touched your coffee because the smell makes you want to puke. I’m not blind, and neither is Gus, even if he pretends he don't see nothing that ain't written on a guest check.”

“Are you going to tell him?” I asked, terror rising like acid in my chest.

Clara took a pack of Chesterfields from her pocket, looked at the *No Smoking* sign over the prep sink, and put them back.

“Gus’s wife died thirty years ago in the county hospital because they didn't have thirty bucks for the penicillin she needed for pneumonia,” she said, her voice dropping into a flat, matter-of-fact tone. “He don't care about your belly, Bridget. He cares if the dishes are dry when the breakfast crowd sits down at six AM. You do your job, he’ll pay you your sixty bucks on Saturday. You don't, and he’ll throw you out into the snow, baby or no baby. You understand me?”

“I understand,” I said.

“Good.” She turned toward the swinging doors that led to the diner counter. “Hurry up with them spuds. We got three trawler crews coming in at five-fifteen, and they eat french fries like they’re going to the electric chair tomorrow.”

***

That night, after my first eight hours of peeling potatoes, washing heavy cast-iron skillets, and hauling five-gallon buckets of pickle brine to the basement, I walked back up Commercial Street to Martha Gable’s boarding house.

My hands were swollen and smelled of bleach and raw starch. My back felt as though a steel rod had been bent double between my shoulder blades. My boots were completely waterlogged, the wet socks squelching with every step against the frozen pavement.

In my pocket, wrapped in a paper napkin from the dispenser, was half a meatloaf sandwich Clara had slipped into my coat while Gus was checking the register tape.

I climbed the three flights of stairs in the dark, the wooden steps groaning under my weight.

In room four, the air was bitter cold, but the small radiator had finally begun to hiss, spitting a faint, lukewarm vapor against the yellowed roses on the wall.

I sat on the edge of the sagging mattress, ate the cold meatloaf sandwich in four huge, desperate bites, and drank three glasses of tap water from the cracked bathroom tumbler.

Then I took off my boots, pulled back the thin army blanket, and lay down.

I was exhausted beyond the reach of thought. My muscles twitched with the memory of the heavy iron pans; my nostrils were burned raw with the smell of grease and bleach.

I put my right hand flat against my belly.

And then, beneath the rough wool of my sweater and the thin layer of skin below my navel, something moved.

It was not a cramp. It was not the fluttering gas of an empty stomach or the tremor of overworked muscle.

It was a tiny, sharp tap—like the flick of a small fish’s tail against the glass of an aquarium. A single, distinct, unmistakable pulse of life from the inside out.

*The quickening.*

I lay frozen in the dark of room four, my breath held in my throat, the wind from the harbor screaming through the gap in the window sash.

The tap came again—smaller this time, a gentle brush against my palm, like a feather dragged across velvet.

I pressed my face into the lumpy pillow to stifle the sound that came out of me. It was not a sob, and it was not a cry of fear. It was a fierce, wild, terrifying laugh that shook my entire chest until the iron springs of the bed creaked in the dark.

May you like

“I feel you,” I whispered against the cold ticking of the mattress. “I feel you. I’m right here.”

***

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