prologue

Chapter 7 - Blood on the Waterfront

The door didn't just swing open; the heavy oak split around the deadbolt, crashing inward against the wall.

A man in a black nylon tactical jacket and a woolen watch cap stepped through the splintered frame, the short barrel of an MP5 submachine gun raised toward the bed.

He expected to find a helpless invalid tangled in damp sheets.

He did not expect to find Maxwell Rourke standing.

Maxwell was leaning against the four-poster bed, his left hand gripping the turned wood for balance, his weight pitched forward like a wounded bear rising from a trap.

The hitman’s eyes widened behind his sights—a half-second hesitation born of sheer disbelief.

That half-second was all Maxwell had.

He didn't try to cross the floor. He used the one weapon his fourteen months of paralyzed isolation had built to superhuman proportions: his upper body.

Maxwell seized the heavy brass reading lamp from the nightstand—a fifteen-pound solid-metal antique—and hurled it across the ten feet of space like a discus.

The brass base caught the gunman dead in the bridge of the nose.

Cartilage and bone shattered with a wet *crunch*. The man’s weapon discharged into the plaster ceiling, plaster dust and splinters raining down like snow, as he staggered backward into the hall, clutching his ruined face.

"Martha!" Maxwell roared.

Martha didn't use the poker to swing. She lunged forward, driving the blunt iron point of the hearth poker straight into the second man who was trying to push past his blinding partner. The heavy iron hit him in the sternum, driving the air from his lungs with a wet wheeze.

Maxwell dropped to his hands and knees.

He didn't try to walk. He crawled—fast, lethal, his palms slapping the hardwood with terrifying speed. He hit the first gunman’s legs like a rolling timber, wrapping his massive arms around the man’s knees and twisting with the full leverage of his shoulders.

The gunman went down with a sickening crack as his knee dislocated sideways.

The MP5 skittered across the floor.

Maxwell didn't reach for the gun. He reached for the man’s throat.

His fingers—the same fingers that had crushed Martha’s wrist in the bath—clamped around the hitman’s larynx and squeezed. There was no struggle, no heroic comeback. There was only the dreadful, mechanical application of fifty pounds of hydraulic grip pressure until the man’s eyes rolled back into his skull and his limbs went slack.

The second man was recovering, gasping for breath, bringing his pistol up from his hip.

"Behind you!" Martha screamed.

She swung the poker with both hands, using every ounce of her strength, her hips turning into the strike like a batter swinging for the fences. The iron rod caught the second man across the temple.

He dropped like an empty overcoat.

Silence fell over the third floor, broken only by the whistling sound of wind through the shattered front windows below and the hiss of an overturned steam radiator.

Martha stood over the bodies, her hands vibrating with shock, the iron poker dripping with dark grease and blood.

Maxwell sat on the floor among the plaster debris, his back braced against the doorframe. His bare legs were twitching violently, the quads firing in rapid, disorganized bursts as the adrenaline flooded his starved motor pathways.

He looked up at her through the cloud of white plaster dust.

His chest was heaving. Blood from a reopened stitch on his shoulder was trickling down his arm, dripping from his thumb onto the oak floor.

"You swing... like a crane driver," he wheezed.

Martha let the poker slip from her fingers. It hit the floor with a heavy, hollow ring. She dropped to her knees beside him, her hands instinctively checking his carotid pulse, her fingers sinking into the warm groove behind his jaw.

"Pulse is one-sixty," she whispered, her voice cracking. "You have acute peripheral tremors. You can't fight Vance tonight, Maxwell. You can’t even walk down the stairs."

Maxwell grabbed her lapel, pulling her toward him until she could see the flecks of gold in his gray irises.

"I don't need to walk down the stairs," he whispered. "There’s an elevator. And my father left three twelve-gauge shotguns in the floor safe behind the grandfather clock in the study."

He pulled himself up by her shoulders, his face inches from hers.

"Can you drive a six-speed flatbed truck, Martha Kovak?"

She looked into his eyes—the eyes of a man who had crawled out of his own grave through sheer spite and forty-eight hours of saline.

"I learned on an International Harvester in my uncle’s scrapyard," she said.

Maxwell’s mouth twisted into something that might have been a smile—the first real smile she had ever seen on his face. It was terrifying, beautiful, and completely mad.

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"Good girl," he said. "Get the grease guns."

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