prologue

Chapter 7 - Thunder on the Water

The room they called the small parlor had not been used since the winter of nineteen-ninety-two.

The chairs were covered in gray holland slipcovers that smelled of dry pepper and mouse poison. On the mantelpiece stood an ebony clock shaped like a sarcophagus, its pendulum tied to the winding arbor with a piece of faded green ribbon to keep it from swinging.

Hannah stood by the window that looked out on the lime trees. The leaves were nearly all down now, plastered to the black drive like wet brown coins.

“You don't have to do this,” she said.

She did not turn around. She could see Victor’s reflection in the glass—the dark line of his shoulders against the gray square of the sky, the white spot of his collar, the faint red tip of the small cigar he had lit but had not yet brought to his lips.

“I do not do things because I have to, Hannah,” he said.

“Moretti will know it’s a trick.”

“Aldo Moretti has spent fifty years believing that everyone in the world is as greedy and cowardly as he is,” Victor said. The cigar smoke rose in a straight, thin plume toward the painted ceiling where three fat nymphs were being pursued by a goat-footed man with a horn. “He understands a marriage of convenience. He understands a man taking a woman to keep her from being sub-poenaed by the grand jury. It is the only thing he would believe. If I told him I kept you here because you have courage and your child doesn't scream when the dogs bark, he would think I had softening of the brain and he would have six men in the garden by midnight.”

Hannah turned slowly. Her wrists were still banded with the yellow-and-purple grease of the bruises, but her eyes were clear. The split beneath her eyelid had dried into a thin, dark scab that looked like an iron wire.

“You’re an old man, Victor,” she said.

He did not flinch. “I am forty-eight.”

“My father was forty-eight when his heart gave out on the ore boat,” she said. “He had no hair on the top of his head and he couldn't get up from his chair without his knees making a sound like dry pine.”

“My knees make that sound already,” Victor said. He brought the cigar to his mouth, took one short, fragrant draw, and blew the smoke toward the sarcophagus clock. “And I have three pieces of lead in my thigh that will probably stay there until the worms get them. I am not offering you a boy from the parish dance, Hannah. I am offering you this house. And the name that keeps the police from asking where your husband was the night the warehouse burned in Curtis Bay.”

Hannah went very still. Her fingers tightened over the double florin in her apron pocket.

“You knew about Joe?”

“Joe Bell was an idiot,” Victor said without heat. “He thought he could burn three thousand cases of bonded whiskey for the insurance people and not have the Moretti boys ask for their ten percent. If he hadn't died of the lung-rot in that trailer, Marcus would have had to put him in the salt marsh two years ago.”

He walked over to the mantelpiece and set the cigar down on the black marble edge.

“I am not asking you for love, Hannah Bell,” he said. His voice was lower now, falling into that rhythmic, steady beat that belonged to the engines of the big freighters working their way up the channel against the tide. “I had a wife who loved me. She spent seven years crying into the pillows on the third floor because she couldn't walk down Charles Street without the shopkeepers bowing to her like she was the Queen of Spain and the women crossing to the other side of the street so they wouldn't have to look at the car. She died because she was too soft for this stone.”

He came two steps closer. He did not touch her. He stayed far enough away that she could have stepped back against the window sill if she had wanted to. She did not step back.

“You are not soft,” Victor said.

“I broke Gregory’s knee,” she said.

“Tommy’s knee,” he corrected her. “Gregory’s shoulder was mine. But the thought was adequate.”

The door opened with a short, brisk creak. Father Costanzo stood on the threshold. He was sixty, round as an oil cask, with hair that looked like steel wool and a cassock that had grease spots on the hem from the parish school kitchen. He carried a small, battered leather case that contained the holy oils, two candles that looked as if they had been melted together in a drawer, and a stole of purple silk that had lost its fringe.

Behind him came Poppy, holding Teddy’s thumb with both hands, her mouth entirely coated with the sugar from the shortbread.

“Victor,” the priest said, looking around the cold, shrouded room with the sorrowful disapproval of a man who had heard too many Castellano confessions to have any illusions left about the state of their souls. “The church on Stiles Street is five minutes away. It has four altars and fifty candles burning for the souls in Purgatory. Why do I have to come out here to this museum to do a thing that should be done before the Blessed Sacrament?”

“Because,” Victor said, without taking his eyes from Hannah’s face, “the Blessed Sacrament doesn't have thirty men with carbines stationed in the woods to make sure the Moretti boys don't interrupt the vows.”

Father Costanzo sighed, crossed himself with a quick, practiced flip of his thick thumb, and pulled the stole over his neck.

“Very well,” he muttered, pulling a small silver crucifix from his pocket and setting it on the sarcophagus clock beside Victor’s dead cigar. “Who gives this woman?”

Poppy let go of Teddy’s thumb. She walked across the holland slipcovers, her small shoes making no sound on the sheepskin rug, and stopped between Victor and her mother.

She looked up at Victor’s trousers—at the spot where the heavy Colt made a slight, sharp corner beneath the wool of his coat.

“He has the ducks,” Poppy said, pointing a sugar-stained finger at the pocket where Victor had stowed the four bone buttons he had picked up from the mud by the lime kiln. “He kept them for me.”

Victor looked down at the child. For the first time since the three-year-old had burst into his study forty-eight hours before, the hard, gray line of his mouth softened by the width of a knife blade.

He reached into his waistcoat, took out the four bone buttons, and dropped them into Poppy’s small, outstretched palm.

“They aren't ducks,” he said. “They’re bone. But if you take them to the kitchen, Mrs. Higgins will make them into a necklace with some of the green twine from the potting shed.”

“The orange twine,” Hannah whispered.

Victor looked back at her. His eyes were wide, clear, and steady as the North Star over the bay.

May you like

“No,” he said. “The orange twine is all burned, Hannah. Every inch of it.”

***

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