prologue

Chapter 2 - The Anatomy of Hunger

The leather armchair Patricia directed me toward was upholstered in cream-colored Italian hide. It smelled of saddle soap and expensive wax. I sat on the very edge of the cushion, terrified that the damp hem of my faded jeans would leave a dark, permanent watermark on the leather.

Lily shifted, her tiny mouth searching against the fleece of her blanket before settling back into the deep, rhythmic sleep of the innocent. I wrapped both arms around her, pressing her warmth against my ribs, using her tiny body as an anchor against the vertigo that was threatening to pull me to the floor.

Eighteen months.

For eighteen months, I had lived inside a nightmare that had no edges and no end.

My mind dragged me backward, down into the dark, narrow corridors of memory I had spent every waking hour trying to outrun. I remembered the harsh, buzzing fluorescent lights of the county hospital’s trauma corridor. I remembered the state trooper standing outside room 412, his broad-brimmed hat held awkwardly against his belt, his eyes fixed firmly on the linoleum floor because he couldn't bear to look at an eight-weeks-pregnant twenty-four-year-old whose husband had just been crushed beneath forty tons of rolled steel on Interstate 95.

Evan had been a landscape carpenter. He was strong, careful, and possessed of a deep, patient laugh that could untangle the tightest knots in my chest. He had spent the morning of his death kissing the hollow of my throat, whispering promises about the cradle he was going to carve out of white oak before November arrived. By four that afternoon, he was gone. And because he was an independent contractor who had let his supplemental life insurance lapse for two months while we saved for the nursery security deposit, his death did not just shatter my heart; it pulverized the entire architecture of our lives.

The hospital bills arrived first, folded into crisp, white envelopes with red lettering: *FINAL NOTICE BEFORE LITIGATION.* Then came the funeral home director, a man with oiled hair and soft hands who spoke in hushed, sympathetic tones while sliding a pen across an itemized invoice for nine thousand dollars. Then the landlord, who stood on our porch with his thumbs hooked into his belt, telling me that sympathy didn't pay the property taxes on the duplex, and that if I couldn't produce first, last, and a fresh deposit by the first of the month, he had a waiting list of young professionals from the university.

I had pawned everything.

First went Evan’s tools—the DeWalt miter saw he had saved six months to buy, the hand planes with their razor-sharp Japanese steel blades, the leather tool belt that still smelled of cedar shavings and his sweat. The pawnshop owner on Tenth Street had given me four hundred and twenty dollars for tools worth three thousand. I had taken the money and wept on the sidewalk until an old man gave me a paper napkin from a hot dog stand.

Then went my grandmother’s sapphire pendant—a graduation gift. Then my engagement ring.

I remembered standing at the counter of a greasy jewelry exchange, the overhead neon signs flickering with a dull hum, while a man with a jeweler’s loupe pressed into his eye socket offered me two hundred and fifty dollars for the diamond Evan had spent two years paying off.

*“That’s the melt value of the gold, lady. The stone has an inclusion. Take it or leave it.”*

I took it. I used it to buy four boxes of diapers, three tubs of generic infant formula, and two weeks of bus passes so I could attend physical therapy for the pelvic complications that followed Lily’s birth.

And all that time, Patricia had visited me.

The memory of those visits now hit me like a series of physical blows. Patricia, arriving at my damp, ground-floor studio apartment on Fourth Street—an apartment where the pipes clanked through the night and the air smelled perpetually of wet plaster and fried cabbage from the diner next door. She would arrive in her camel-hair coat, wrinkling her small, aristocratic nose as she stepped over the warped threshold.

She never brought money. She brought plastic bags filled with dented cans of store-brand beans, half-used boxes of oatmeal from her own pantry, and outgrown clothes from her daughter’s childhood that had been sitting in an attic for fifteen years, yellowed and smelling of mothballs.

*“We all have to tighten our belts, Claire,”* Patricia had murmured, sitting on the edge of my broken futon, carefully pulling her skirts away from the frayed seams. *“The Whitmore family is an old name, yes, but your grandmother’s capital is tied up in long-term trusts. Liquidity is terribly tight right now with the inflation rates. And you know how Margaret is—she comes from that Puritan generation. She believes struggle builds character. She told me just last week that young people today expect handouts whenever life gets complicated.”*

I had believed her.

God help me, I had believed every single word.

When Patricia spoke of Margaret, she spoke with the authority of the eldest daughter, the one who handled the doctor’s appointments, the summer house closings, the holiday travel arrangements. I had been so shattered, so hollowed out by grief and sleep deprivation, that I had accepted it as gospel. I had thought Margaret Whitmore looked down on me from her Beacon Hill redoubt, disgusted that her granddaughter had fallen so low, disgusted that I couldn't manage to survive on my own.

I had swallowed my shame. I had stopped calling Margaret. When holidays arrived, I sent small, handwritten cards with photos of Lily that I had printed at the pharmacy for thirty-nine cents, never asking for help, never mentioning the fact that the electricity had been turned off twice that spring.

And Patricia had sat there, drinking my instant tea, watching me measure out half-scoops of formula to stretch the can through the weekend, knowing she had one hundred and eighty thousand dollars of Margaret’s money sitting in an account with my name stamped on the ledger.

Across the room, Patricia was standing near the sideboard, her back pressed against the mahogany wood as if she were trying to merge with the furniture. Uncle Robert had stepped away from her. He was standing near the arched entryway, the tea towel still clenched in his thick hands, his face a dark, thunderous mask of confusion.

“Patricia,” Robert said, his voice dangerously low. “Look at me.”

Patricia didn’t move. Her gaze was fixed entirely on the front window, where the headlights of passing cars cast slow, sweeping bars of white light across the ceiling.

“Patricia, where did that wire go?” Robert demanded, taking two heavy steps toward her. “Margaret said she wired that money after Evan died. That was the week you spent four days in Boston going over the family accounts. You told me Margaret had decided to establish an education trust for Lily that would be locked until she was eighteen. You told me there was nothing for Claire’s immediate debts.”

Patricia’s breath came in ragged, wheezing gasps. “Robert, don't… don't do this in front of them. You don't know the financial arrangements. You don't understand the tax implications of direct gifts—”

“I don't give a damn about tax implications!” Robert suddenly roared, the sound causing Lily to startle in my arms with a sharp gasp.

I tightened my hold instantly, murmuring against her hair, rocking her back and forth. Robert saw the baby flinch, and he caught himself, his big shoulders heaving, his face flushing a deep, mottled crimson. He pointed a trembling, blunt finger at his wife.

“Did you take that girl’s money?” he whispered, the raw horror in his voice cutting deeper than his shout had. “Did you take the money Margaret sent for Evan’s child?”

Before Patricia could answer, the gravel on the driveway crunched sharply outside.

Two car doors slammed in rapid succession through the driving rain.

Margaret Whitmore did not move from the high-backed wing chair she had claimed near the fireplace. She did not look at her daughter. She simply lifted her wrist, glanced at the small gold face of her watch, and said:

May you like

“That will be Richard.”

***

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